FOR IMMEDIATE RELEASE: DECEMBER 05, 2007

Specialty DVD Supplier Flicker Alley Announces 3-Disc Archival Release of "SAVED FROM THE FLAMES"

A Seven Hour Anthology of Nitrate-Era Rarities Culled from the Lobster Films and Blackhawk Films Collections Make Their Home Video Premiere January 22

(Los Angeles, CA) Flicker Alley, LLC, a specialty supplier of fine silent films and classic cinema programming, in association with Film Preservation Associates, today announced that the company will release "SAVED FROM THE FLAMES" on DVD January 22, 2008. The 3-disc DVD set collects over seven hours of rare films dating from 1896-1944 and culled from the collections of Lobster Films, Paris, and Blackhawk Films.

"SAVED FROM THE FLAMES" is a unique and wonderful collection of 54 rare and restored short films from the inflammable years of cinema, when movies were made on nitrate film and thus highly vulnerable to fire and decay. This remarkable anthology is organized in eight thematic groups over three DVD programs and presents fascinating nitrate-era treasures from the vaults of Lobster Films in Paris and from the Blackhawk Films Collection-films which were literally rescued from imminent destruction over the past fifty years.

Flicker Alley's "SAVED FROM THE FLAMES" DVD set is the North American home video premiere of Lobster Films and Blackhawk Films materials previously exhibited as part of the semi-annual live presentation of Serge Bromberg's Retour le Flamme in Paris--as well as many materials which have rarely been shown before. The DVD edition also includes an illustrated booklet with annotations by film preservationists and historians David Shepard and Serge Bromberg.

Additional digital video and audio restoration work on the "SAVED FROM THE FLAMES" DVD was carried out by Elektrofilm Digital Studios, which is at the forefront of Hollywood's digital revolution and specialize in high-end DVD authoring and post production. "SAVED FROM THE FLAMES" carries a suggested retail price of $49.99.

"SAVED FROM THE FLAMES" DVD content:

NEW BEGINNINGS: Seven early cinematic experiments of Lumière, Georges Mendel and others, including Cyrano De Bergerac (1900), generally believed to be the first ever film produced with both color and sound.

MAGICAL MOVIES: Five early fantasy and trick films--including a previously-unseen trick film by Georges Méliès, hand-colored films from Segundo de Chomon and Gaston Velle, and astonishing stop-motion animation from 1911.

SEEING THE WORLD: Among the ten films in this section are a transatlantic crossing in a Zeppelin dirigible, a 1925 stencil-colored trek through the Belgian Congo, World War I-era Parisian street kids in Montmartre, a 1916 visit to Los Angeles, a 1927 sound film of pilot Charles Lindbergh embarking on his New York-Paris flight, an early 1930s portrait of New York City's Coney Island, and a promotional film made for Josephine Baker's revue at the Folies-Bergère, Paris.

LAUGHING LIKE WE USED TO: Seven comedies, including four restored from turn of the century Italy and France, a recently-discovered nitrate negative of Charlie Chaplin's first appearance in his "tramp" attire, a frenetic Mack Sennett "gag fest" replete with tin lizzies, and The Pest (1922), starring a pre-Hardy Stan Laurel.

DRAWINGS AND MODELS: Six works of animation: Gaumont's Fantasmagorie (1908); three Fleischer Studios cartoons--Cartoon Factory (1924), Ain't She Sweet (1932), and Play Safe (1936); Ub Iwerks' Balloonland (1935), featuring a new color restoration made from the original negatives; and a filmed performance by puppetry pioneer Tony Sarg.

GRACE NOTES: Rare musical performances: Django Reinhardt with Stéphane Grapelli and the Quintet of the Hot Club of France in Jazz Hot (1939), Duke Ellington and the Cotton Club Orchestra featured in Black and Tan (1929), Louis Armstrong in Copenhagen, 1934, and a 1929 performance from the Utica Jubilee Singers.

PERSUADE ME: Eleven films designed to influence, including a vintage promotional film of a French-dubbed Laurel & Hardy, theatrical advertisements featuring Michel Simon and Jacques Tati, a 1938 George Pal puppet animation, three WW-II era musical shorts, two political campaign films, and the National Film registry selection Master Hands, a paean to the 1936 Chevrolet automobile.

TELL ME A STORY: Narratives from 1912-1913: D.W. Griffith's For His Son, Lois Weber's Suspense, and Thomas Ince's The Heart of an Indian, all mastered from beautiful 35mm film elements.

"SAVED FROM THE FLAMES" is the second DVD title to be released under the Flicker Alley-Film Preservation Associates production and distribution agreement, following "DISCOVERING CINEMA"--a two-disc DVD set featuring documentaries on the birth of sound and color cinema, which was released to critical acclaim in September 2007. The two companies are currently working on a major collection of films by Georges Méliès and other exciting projects for release in 2008.

ABOUT THE BLACKHAWK COLLECTION

Blackhawk Films was founded in 1927 as a producer of film advertising for merchants and as a distributor of regional newsreels. In 1934, the company made its mark as a distributor of 16mm sound films, eventually establishing several regional offices before WWII. In 1947, the company moved into sales of used film, and soon thereafter began distributing 8mm and 16mm prints of Laurel and Hardy silents from Hal Roach Studios, as well as titles from other key suppliers such as Fox Movietone News, Killiam Shows and National Telefilm Associates. Film historian and preservationist David Shepard joined Blackhawk in 1973 as Vice President and eventually acquired the Blackhawk Films library in 1987, when he founded Film Preservation Associates.

ABOUT FILM PRESERVATION ASSOCIATES

Under the Blackhawk Films banner, Film Preservation Associates has produced over 150 high-quality restorations and presentations of silent films for the home video market, released through independent distributors such as Image Entertainment and Kino on Video. David Shepard has produced many notable titles, including "The Art of Buster Keaton," a special edition DVD of Sir Arthur Conan Doyle's The Lost World (1925), the hand-colored silent version of Cyrano de Bergerac, and the 7-disc DVD "Unseen Cinema: Early American
Avant-Garde Film 1894-1941," hailed by the New York Times as "one of the major monuments of the DVD medium."